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Songbird’s Brain Controls Timing During Singing

By R&D Editors | November 10, 2010

Songbird’s Brain Controls Timing During Singing 

Zebra Finch
This photo shows three adult zebra finches, a species that Jin and other members of the research team studied.

 Courtesy of Liza Gross

A team of scientists has observed the activity of nerve cells in a songbird’s brain as it is singing a particular song. Dezhe Jin, an assistant professor in the Department of Physics at Penn State University and one of the study’s authors, explained that understanding how birds string together sets of syllables — or notes in a song — may provide some insight into how the human brain learns language and produces speech. The research will be published in the print edition of the journal Nature and is available online.

“Unlike dogs and cats, whose vocalizations are innate and unlearned, songbirds learn a song in much the same way as humans learn a language — through cultural transmission,” Jin said. “So we decided to study exactly what is going on — at the level of brain cells — in a songbird called the zebra finch.” Jin explained that both humans and zebra finches arrange sets of learned syllables to communicate. This arrangement of syllables is known as syntax. Jin said that, although finch syntax is much less complicated than human syntax, finch syntax can still provide a model for human speech.

Jin described the area of the brain responsible for a zebra finch’s song production as a clump of neurons, which, if absent, renders the bird incapable of singing. To determine exactly how this clump is involved in syntactic production, Jin and his colleagues used special electrodes to monitor the brain cells in this neuronal clump. The electrodes recorded the pattern of neuronal firings that occurred while the finches were repeating a song. The scientists found that when a zebra finch produces its song, a specific set of neurons in this clump fire at precisely the moment when a particular syllable is being sung. “The result is a kind of domino or cascade effect,” Jin said. “We saw that when one syllable was sung, a specific set of neurons in the clump fired, which in turn caused the next set of neurons to fire, and that was associated with the next syllable in the song being sung.” Jin explained that the ordered firing of specific sets of neurons can be likened to a musical score. “The sequential bursts of brain-cell activity represent the sequential notes in the same piece of music,” he said.

Jin also explained that Darwin’s theory of sexual, as opposed to natural, selection could explain the songbird’s musical prowess. Sexual selection is the theory that an animal chooses a member of the opposite sex based on some observable feature that signals good health and good genes. The classic example is the male peacock’s elaborate and calorically expensive tail, which attracts the female peahen. In male songbirds, an elaborate tail has been replaced by an elaborate song. “A skilled singer will win the attention of more females, and, as such, he will produce more offspring,” Jin explained. “It’s not that the song itself varies, just the skill with which it’s sung. Imagine different pianists playing the same Chopin piece. What sets one apart from the others is his sense of timing and rhythm. In the zebra finch, we found that the timing precision of singing was controlled by bursting properties of individual neurons.”

Jin and his colleagues believe that the next step in their research will be to perform similar studies in other species of songbirds, including the Bengalese finch. “The zebra finch is a simple model because the bird perfects just one song during its lifetime,” Jin explained. “However, other species learn several distinct songs. They have a larger repertoire.”

To hear a clip of the zebra finch’s song please click here.

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